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Maybe This Time Tenor Sax
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You've selected:
Maybe This Time Tenor Sax
Sheetmusic to print
19 sheet music found
<
1
Maybe This Time
Maybe This Time
#
Jazz combo
#
INTERMEDIATE
#
The Best Of Liza Minnelli
#
Nigel Hanley
#
Maybe This Time
#
Nigel Hanley Music
#
SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1261012 By The Best Of Liza Minnelli. By Fred Ebb and John Kander. Arranged by Nigel Hanley. Broadway,Film/TV,Jazz,Musica...
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Jazz Combo - Level 3 - SKU: A0.1261012 By The Best Of Liza Minnelli. By Fred Ebb and John Kander. Arranged by Nigel Hanley. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. 24 pages. Nigel Hanley Music #854104. Published by Nigel Hanley Music (A0.1261012). This chart is an 8 piece cabaret/pit band arrangement of 'Maybe This Time' from the 1966 musical 'Cabaret'. The instrumentation is:pianoguitarbassdrums---------------------//+ 4 part horn sectiontrumpetalto saxtenor saxtrombone--------------------//The complete mp3 track can be downloaded at www.nigelhanleymusic.comOther keys and instrumentations are available on request: info@nigelhanley.comSuitable for: theater pit bands, cabaret shows, cabaret bands, talent quests, cruise ship bands, high school & college bands, tribute shows & bands, musical theater productions.* 60s * musical theater * cabaret *.
$24.99 ≈
23.32€
Maybe This Time
Maybe This Time
#
Contemporary
#
John Kander
#
Andrew Middleton
#
Maybe This Time
#
Andrew Middleton
#
SheetMusicPlus
Small Ensemble Clarinet,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.735325 Composed by John Kander. Arranged by Andrew Middleton...
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Small Ensemble Clarinet,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.735325 Composed by John Kander. Arranged by Andrew Middleton. 20th Century. Score and parts. 7 pages. Andrew Middleton #4356091. Published by Andrew Middleton (A0.735325). From the musical Cabaret and made famous by Liza Minelli's icon voice, Maybe This Time arranged for Clarinet in B Flat and Piano. This arrangement would also be suitable for trumpet in B flat as well as soprano and tenor saxophone too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99 ≈
4.66€
Maybe This Time - Tenor Sax
Maybe This Time - Tenor Sax
#
Saxophone (band part)
#
Glee Cast
#
Ed Lojeski
#
Maybe This Time - Tenor Sax
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.289340 By Glee Cast. Arranged by Ed Lojeski. Broadway,Jazz,Pop,Standards. Choral Instrumental Pak. 1 pages. Duration 180. Hal Leonard - Digital ...
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SKU: HX.289340 By Glee Cast. Arranged by Ed Lojeski. Broadway,Jazz,Pop,Standards. Choral Instrumental Pak. 1 pages. Duration 180. Hal Leonard - Digital #532830. Published by Hal Leonard - Digital (HX.289340).
$7.00 ≈
6.53€
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Weddin...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2. Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time. Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
30.74€
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
EASY
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95 ≈
26.08€
The First Noel for Tenor Sax & Piano
The First Noel for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
BEGINNER
#
Christmas
#
Traditional
#
James M
#
The First Noel for Tenor Sax &
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pa...
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Piano,Tenor Saxophone - Level 1 - SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
23.28€
Bach: Wachet auf for Tenor Sax & Piano
Bach: Wachet auf for Tenor Sax & Piano
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Tenor Saxophone and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Tenor Sax
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,S...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
23.28€
Bach-Gounod: Ave Maria for Tenor Sax & Piano
Bach-Gounod: Ave Maria for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Sc...
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Piano,Tenor Saxophone - Level 2 - SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95 ≈
30.74€
Hebraic Praise Medley (Arrangements Level 3-5 for TENOR SAX + Written Acc)
Hebraic Praise Medley (Arrangements Level 3-5 for TENOR SAX + Written Acc)
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Saxophone (band part)
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INTERMEDIATE
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Klezmer
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Traditional Israeli Melodies
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Dr Jerry Nelson
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Written
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Hebraic Praise Medley
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Jerry Nelson
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SheetMusicPlus
Tenor Saxophone Solo - Level 3 - SKU: A0.875158 Composed by Traditional Israeli Melodies. Arranged by Dr Jerry Nelson. Concert,Hanukkah,Jewish,World. In...
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Tenor Saxophone Solo - Level 3 - SKU: A0.875158 Composed by Traditional Israeli Melodies. Arranged by Dr Jerry Nelson. Concert,Hanukkah,Jewish,World. Individual part. 14 pages. Jerry Nelson #3873977. Published by Jerry Nelson (A0.875158). This trilogy (When the Rabbi Sings, Hava Nagila and Shalom Alechem) is a Nelson signature arrangement. Very exciting to perform, especially with the accompaniment track. Progress rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or perform with this thrilling Orchestral Accompaniment Track (#SO.432407). Wanna slow down rehearsal a bit? Order the slower rehearsal track at a very reduced price (#SO.419751).Congrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and maybe include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 5. (Time 3:35) Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional Track
$4.99 ≈
4.66€
I Bowed on my Knees and Cried Holy (Arrangements Level 2-4 for TENOR SAX + Written Acc) Hymn
I Bowed on my Knees and Cried Holy (Arrangements Level 2-4 for TENOR SAX + Written Acc) Hymn
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Saxophone (band part)
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EASY
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Gospel/Spiritual
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Sacred music
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Composer Unknown
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Dr Jerry Nelson
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Written
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I Bowed on my Knees and Cried
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Jerry Nelson
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SheetMusicPlus
Tenor Saxophone Solo - Level 2 - SKU: A0.875170 Composed by Composer Unknown. Arranged by Dr Jerry Nelson. Christian,Gospel. Individual part. 10 pages. ...
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Tenor Saxophone Solo - Level 2 - SKU: A0.875170 Composed by Composer Unknown. Arranged by Dr Jerry Nelson. Christian,Gospel. Individual part. 10 pages. Jerry Nelson #3874015. Published by Jerry Nelson (A0.875170). A century-old song that became an instant hit when rediscovered. Using word-painting and vivid imagery, it dramatically portrays the splendors of heaven and face-to-face with Jesus Himself.Progress rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or perform with this thrilling Orchestral Accompaniment Track (#SO.432411). Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and Audio Demo.Congrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and maybe include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4. (Time 6:10)
$4.99 ≈
4.66€
Habanera - Bizet (Arrangements Level 2-5 for TENOR SAX + Written Acc)
Habanera - Bizet (Arrangements Level 2-5 for TENOR SAX + Written Acc)
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Saxophone (band part)
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INTERMEDIATE
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Classical
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Georges Bizet
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Dr Jerry Nelson
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#
Habanera - Bizet
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Jerry Nelson
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SheetMusicPlus
Tenor Saxophone Solo - Level 3 - SKU: A0.875151 Composed by Georges Bizet. Arranged by Dr Jerry Nelson. Latin,Musical/Show,Romantic Period,Standards,Wor...
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Tenor Saxophone Solo - Level 3 - SKU: A0.875151 Composed by Georges Bizet. Arranged by Dr Jerry Nelson. Latin,Musical/Show,Romantic Period,Standards,World. Individual part. 7 pages. Jerry Nelson #3873947. Published by Jerry Nelson (A0.875151). Maybe Bizet's best work. You'll love the flavor of the bullfight arena. Swift progress from Level 2 to 5 using Jerry Nelson's unique Dual Staff System. (DEMO uses a tag team of solo instruments at the higher challenge level). Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Or perform (and rehearse) with this authentic Accompaniment Track (#SO.432395). Time 2:31Congrats! You discovered an arrangements Gold Mine! Tell your friends, whether they play winds or strings or '88 keys'. Simply SEARCH Jerry Nelson (plus the instrument's name.) You may include a Title... or Genre (Ex: Style, specific Holiday, Musical Period).Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Track.
$4.99 ≈
4.66€
Maybe This Time - Trumpet 1
Maybe This Time - Trumpet 1
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Trumpet (band part)
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Glee Cast
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Ed Lojeski
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Maybe This Time - Trumpet 1
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Hal Leonard - Digital
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SheetMusicPlus
Bass Voice,Choral,Drums,Guitar,Synthesizer,Tenor Saxophone,Trombone,Trumpet 1,Trumpet 2 - SKU: HX.289338 By Glee Cast. Arranged by Ed Lojeski. Broadway,...
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Bass Voice,Choral,Drums,Guitar,Synthesizer,Tenor Saxophone,Trombone,Trumpet 1,Trumpet 2 - SKU: HX.289338 By Glee Cast. Arranged by Ed Lojeski. Broadway,Jazz,Pop,Standards. Choral Instrumental Pak. 1 pages. Duration 180. Hal Leonard - Digital #532830. Published by Hal Leonard - Digital (HX.289338).
$7.00 ≈
6.53€
Eine Kleine Nachtmusik (Arrangements Level 3-5 for TENOR SAX + Written Acc)
Eine Kleine Nachtmusik (Arrangements Level 3-5 for TENOR SAX + Written Acc)
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Trombone
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Dr Jerry Nelson
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Eine Kleine Nachtmusik
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Jerry Nelson
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.875140 Composed by Wolfgang Amadeus Mozart. Arranged by Dr Jerry Nelson. Classical,Instructional,Standards,World. Indi...
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Trombone Solo - Level 3 - SKU: A0.875140 Composed by Wolfgang Amadeus Mozart. Arranged by Dr Jerry Nelson. Classical,Instructional,Standards,World. Individual part. 7 pages. Jerry Nelson #3873921. Published by Jerry Nelson (A0.875140). Mozart all the way – at his best. Absolutely a joy to play, especially with the sound track which adds a rhythm section! These arrangements move you easily from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accompaniment included, plus Chord Chart for live rhythm. Perform or rehearse it with this gorgeous Orchestral Accompaniment Track (#SO.432393). Track movin' a little fast? Order the slower, rehearsal version at very reduced price (#SO.419743)Congrats! You found the Gold Mine! Whether you play winds or strings or 88 keys – awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name. Maybe add title or genre) VIisit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement & Optional Track The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 5. (Time 3:07)
$4.99 ≈
4.66€
What Are You Doing New Year's Eve?
What Are You Doing New Year's Eve?
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Frank Loesser
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James Pybus
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What Are You Doing New Year's
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1151823 Composed by Frank Lo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1151823 Composed by Frank Loesser. Arranged by James Pybus. Christmas,Holiday,Pop,Standards. 9 pages. James Pybus #752026. Published by James Pybus (A0.1151823). What Are You Doing New Year's Eve? is a popular song written in 1947 by Frank Loesser as an independent song. It was first recorded by Margaret Whiting in 1947 and first charted for The Orioles, peaking at No. 9 on Billboard's Best-Selling Retail Rhythm & Blues chart in December 1949. Although it is typically performed in December, that was not the composer's intent. In A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life, his daughter Susan Loesser explains that the singer, madly in love, is making a (possibly rash) commitment far into the future. (Maybe it's much too early in the game. Ah, but I thought I'd ask you just the same – What are you doing New Year's, New Year's Eve?) It always annoyed my father when the song was sung during the holidays. This SATB Saxophone Quartet arrangement begins with a quote from Dvorak's New World Symphony before proceeding into the rarely included verse of the song and ends with a quote from the popular song Auld Lang Syne written by Robert Burns, which is often heard on New Year's Eve. The saxophone quartet sound is sure to engage audiences in the spirit and sentiment of the song itself. The duration is 4:21. Contact me at james.pybus56@gmail.com.
$20.00 ≈
18.66€
Call Me Maybe
Call Me Maybe
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Pop music
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Carly Rae Jepsen
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Cat Ledgerwood
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Call Me Maybe
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Serena Redferne
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.886775 By Carly Rae Jepsen. By Carly Rae Jepsen, Joshua Ramsay, and Tavish Crowe. Arranged by Cat Ledger...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.886775 By Carly Rae Jepsen. By Carly Rae Jepsen, Joshua Ramsay, and Tavish Crowe. Arranged by Cat Ledgerwood. Pop. Score and parts. 59 pages. Serena Redferne #3626477. Published by Serena Redferne (A0.886775). This arrangement is for a big band with singer. Instrumentation is voice, alto saxophone, tenor saxophone, trumpet in Bb, trombone, lead guitar, rhythm guitar, bass guitar, piano and drums. Performance time 3 minutes 32 seconds.
$12.99 ≈
12.12€
Alouette - for adaptable quintet
Alouette - for adaptable quintet
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Concert band
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EASY
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Folk Song
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John McAllister
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Alouette - for adaptable quint
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John McAllister
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1061119 Composed by Folk Song. Arranged by John McAllister. Folk,Instructional,Multicultural,Pop,Traditional,World. Sco...
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Concert Band - Level 2 - SKU: A0.1061119 Composed by Folk Song. Arranged by John McAllister. Folk,Instructional,Multicultural,Pop,Traditional,World. Score and parts. 47 pages. John McAllister #664636. Published by John McAllister (A0.1061119). This is a light and fun arrangement of the famous French-Canadian Folk Song Alouette. It falls in the easy category and should be able to be accomplished by players as young as first, maybe second year. It goes through a few iterations of the melody and passes it around many times from each instrument to the next. You can choose to swing all or part of it in order to sound more like the original. I didn't choose to notate that to make it more accessible to younger players. Suggested combinations: Brass Quintet Woodwind Quintet (mix-match of flute, oboe, clarinet including bass, alto saxophone, tenor sax, baritone sax) Woodwind Quintet (standard - flute, oboe, horn, clarinet, bassoon) Saxophone Quintet Mix-match between brass and woodwinds Full Band - as a flexible instrumentation ensemble This piece falls into my larger chamber music initiative that seeks to create accessible, ready to play arrangements and compositions to get young musicians PLAYING MUSIC with others. Because it is so adjustable, many different combinations can be used in order to facilitate music making. A great example, a middle school band director can teach the piece as a full ensemble piece, then break the group into smaller groups (i.e. flute, clarinet, alto sax, tenor sax, bass clarinet.. or whatever works with the band director's instrumentation!).
$5.00 ≈
4.67€
Little Waltz for a Dancing Occasion
Little Waltz for a Dancing Occasion
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Instructional
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Phil Thrift
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Little Waltz for a Dancing Occ
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Phil Thrift
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SheetMusicPlus
Large Ensemble - Level 1 - SKU: A0.955739 Composed by Phil Thrift. Instructional. Score and parts. 18 pages. Phil Thrift #6327371. Published by Phil Thr...
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Large Ensemble - Level 1 - SKU: A0.955739 Composed by Phil Thrift. Instructional. Score and parts. 18 pages. Phil Thrift #6327371. Published by Phil Thrift (A0.955739). Little Waltz for a Dancing Occasion is intended for junior players and can be performed on virtually any combination of five or more woodwind and/or brass instruments. It is based on my own experience of working with such groups.This waltz is perhaps a little unconventional in that it does not make use of a strong first beat – traditionally played by bass instruments – followed by weaker second and third beats. Furthermore, in this piece most of the phrases are five, seven or nine measures long, thus departing from the four- or eight-measure phrases many players will be used to. From measure 22 the melody in 3/4 time has an accompaniment that is essentially in 2/4 time; I’ve included accents here to help ensure a 2/4 feel. There’s also a rather abrupt ending which, hopefully, will take some by surprise. And everybody gets the tune at some stage, not just the usual melody instruments!The parts included are suitable for the instruments found in groups of learners:flute, oboe, Bb clarinet, bassoonEb alto sax, Bb tenor saxBb trumpet, F/Eb horn, trombone (TC/BC), euphonium (TC/BC), tuba, Bb/Eb bassThe high flute/oboe part is optional. The glockenspiel is also optional and I’ve mainly included this part so that, if you have a drummer who needs something to do, he or she won’t be tempted to just play bass drum on first beat, snare on second and third beats!The tempo chosen will depend on the abilities of the players.Apart from maybe saving paper, writing two parts on one system does help players to learn to read such charts – something I feel all players should learn to do from an early age.
$12.99 ≈
12.12€
Threshold
Threshold
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Concert band
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INTERMEDIATE/ADVANCED
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the way, I always thought it w
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Drew Morris
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Threshold
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Yellow Envelope Publications
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1272805 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 107 pages. Yell...
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Concert Band - Level 4 - SKU: A0.1272805 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 107 pages. Yellow Envelope Publications #865003. Published by Yellow Envelope Publications (A0.1272805). Threshold is meant to portray time slowing down as you approach a black hole due to Gravitational Time Dilation. As such, I took a melody and reworked it in several different time signatures, to allow you to feel it stretch out or shrink, leading to moments where time basically goes out the window with prolonged moments of aleatoric metallic cacophony in the percussion section. Mixed in with the increasing and decreasing time signatures is something loosely resembling a fugue subject in the woodwinds. I’m not sure where it came from, but I love the feeling it gave this piece.By the way, I always thought it would be really cool if, during the end of the piece, the percussion could be spread throughout the performance venue to create a true surround sound experience, playing the aleatoric motive all around the audience. (Maybe even let some of the audience members participate too!) …just a thought.Instrumentation2 Flute, Oboe, Bassoon, 2 Clarinet, Bass Clarinet,2 Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpet, French Horn, 2 Trombone, Euphonium, Treble Clef Euphonium, Tuba6 Percussionists - Timpani, Snare Drum, Bass Drum, Floor Tom,2 Suspended Cymbal, Shaker (egg or shekere), Crash Cymbals, Tam-tam,Glockenspiel, and as many pitched metallic instruments as possible (G, A-flat, B-Flat)
$75.00 ≈
69.98€
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Maybe This Time Tenor Sax
